Monday, February 20, 2023

FINDING THE GREEN MAN IN THE CHURCHES OF EUROPE


BY Clay Larroy

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Finding The Green Man in the Churches of Europe



The next time you find yourself in a European church or cathedral, there is someone you should see. Forget "The DaVinci Code". A real puzzle stares at you from the walls, architecture, and furnishings throughout these old places of worship. The mysterious Green Man, a carved foliate face from ancient times, appears in various guises and apparently independently, all over the world. His best known and most accessible incarnations are found - by the thousands - in the Medieval churches of Europe and in England, France and Germany, in particular.
The title "Green Man" was given by Lady Raglan about seventy years ago, when she was the first to identify the common concept in a number of traditional strands, mythology, folklore, folk customs, traditional imagery, in the ancient idea of the "wild man", and the English inn name, "The Green Man", which she used as the title for this unifying idea. The essential basis of the Green Man is that there is a unity between humanity and nature, and that humanity thrives better when it lives in harmony with nature, something which is explicitly understood at the present time. It must be admitted that no direct link can be demonstrated between the various strands embraced by the Green Man idea, other than that they are all driven by an archetypal element in the human mentality.

The concept makes its earliest appearance in ancient mythology, and then recurs throughout history, and is most conveniently examined in the folk customs of England and mainland Europe, and in the images in the churches. In England, the Green Man, in his guise known as "Jack-in-the-Green", may be seen on the first Monday in May in folk celebrations in Hastings and Rochester, as well as elsewhere, including in London, but also in the "Garland Day" celebrated in Castleton in Derbyshire on May 29th. In these, a man is encased in leaves (at Castleton, flowers) and plays out some elements of a traditional sacrificial drama. The ancient association is with the renewal of life in Spring, so here the Green Man is a symbol of regeneration.

He is also associated with other strands of imagery found in Medieval churches, the wild man, and the "sheela-na-gig", a female fertility image given a mock Celtic name, probably in the demure Nineteenth Century. The wild man is an image of primitive humanity, but in the churches symbolizes also the primitive in all of us. The sheela-na-gig image is a large and separate subject, but it is plainly also related to regeneration.
In all the traditions, the image is that of a man associated with foliage - very, very, rarely that of a woman. This is seen as arising from ancient mythology of the Mother Goddess sending her son, who is both divine and human, to help humanity with what it needs (not what it wants!), and in many of these myths, the son is in some way associated with a tree.

In the churches, the image is a face, almost always male, with leaves: the leaves springing from it, or forming the face, or branching out from the face, or surrounding the face as if it were the fruit of the tree. There are a few which are clearly female, notably at Ulm in Germany and Brioude in France, but otherwise they are all male. The source of the image in the Medieval church was almost certainly foliate faces in Roman sculpture, of which very fine examples survive in the archaeological museum in Trier, but the Medieval Green Man soon outclassed his Roman ancestor. He survived the end of the Middle Ages, and is found in the work of Michelangelo, in English Georgian houses, in Mexican Baroque churches, and in New York brownstone facades.
In the churches, the Green Man is found in his thousands, almost always just watching, and rarely participating in action, although there is one group in York Minster where a wild man is apparently protecting a Green Man from a demon, an image of fascinating psychological implications. There are a few Green Man images that point to a didactic role, the Green Man helping us to behave better, a role explicitly illustrated by four green men on a column capital in the village of Woodbury, near Exeter.


REFERENCE SITES:
http://www.travelresearchonline.com/



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